one half of scottish duo clouds, perth drug legend tear off a solo ep of rugged, apocalyptic bloke-techno. stunners, all of them. freak genius at work.

resin kicks off 2015 in monstrous style by introducing perth drug legend to the front line. the demented project of liam robertson, one half of the mighty clouds. with the broxden burners ep on west end communications and a remix on canadas turbo recordings, resin is very excited to introduce clubbers guide to craigie, a session of dark sludgy scottish techno.

incl jensen interceptor remix

toot toot, beep beep, out of the way! kinks taster for his up-and coming album on running back is here. perth is a prime-example of the bulgarian producer s unstoppable good times ware. taken from playground, the three versions here are dripping with grease. split between the original, a chord mix and a beat version, it s all you ever wanted from a single. perfect house music for techno djs and techno music for disco djs. we strongly recommend the use of two copies back and forth...fun, fun, fun!

saints & sonnets drop its fifteenth release, the perth & kinross ep coming courtesy of quell. nikolas raptis aka quell is a greek producer currently residing in berlin, germany and since dropping his debut material back in 2007 has gone on to deliver output for labels such as ibadan, kolour, 2020vision and tsuba. here we see raptis join the saints & sonnets roster, following recent releases from artifact, jabru and three bar.

step ball chain s unkonventionelle prototyp-band trickpony ist die 11. veröffentlichung auf dem sich ständig weiterentwickelnden imprint. eine zusammenstellung von sinnlichen cyber-jams, die das trio über zeitzonen hinweg zusammenstellte. mike midnight und roza terenzi, alte freunde aus perth, australien, haben sich mit der visionären sängerin maria korkeila aus helsinki zusammengetan.

perth-born, naarm-based duo special feelings, aka naomi robinson and poli-pearl, are stepping up on bradley zeros rhythm section label with their first long player.

perth-based artistic hub 823, led by producer / creator-extraordinaire taku, joins forces with producers idealism & lucid green for “undone,” a genre-melting lp that bridges sonic comfort, textured tones and lush timbres into one serene, 10 track experience. lp arriving february 3rd, 2023 via 823 x jakarta records.

r.a.n.d. muzik recordings welcomes an old friend to the label, basic mind from perth, australia - an artist that has always taught us that groove, feeling and precise production is often more important than maximalism.

strictly limited 10th anniversary reissue on white double vinyl, including 5 previously unreleased bonus tracks from the air studio session.

a collection of 13 true house classics on double vinyl, compiled by trax magazine.

greenhouse vol. 1 ist eine beeindruckende zusammenstellung neuer elektronischer musik, die aus der weit entfernten westlichen ecke des australischen kontinents stammt, der whadjuk-region um perth.

der produzent guy contact aus perth übernimmt die zügel für euphoria simulator, eine 6 track ep, die den ganzen charme und optimismus einer befreiten zukunft ausstrahlt.

2021 repress - vinyl-only remixes 12inch. cliff lothar, absolute legend, and current king of the enigma groove delivers an absolute masterpiece. perth drug legend, slams the gatti with raw tribal funk, and rebolledo comes in with a slightly electrofied extended party mix.

following their recent remix of kinks perth for running back, 17 steps bosses dusky present their first original productions of 2018 in the five-track aset forever ep

no introduction needed, kink gets the remix treatment from matthew herbert, josh wink, dusky & radio slave… two volumes cut for maximum impact., part 1 with dusky & radio slave

tourist kid s first release for melody as truth. recorded in perth and melbourne between 2016 and 2017. though the idea of movement between two places could be a somewhat romantic afterthought, a more palpable sense of dislocated unease creeps up on the listener throughout the album.

under the tree in the cave at the water, there’s where youll find eleventeen eston savouring the shade since his 2014 debut lp delta horizon turned the spotlight his way. taking shelter in the subterranean, the perth musician has found a sound saturated with entheogenic splendour, growing something gorgeous from the grotesque. finding a natural home on hamburgs growing bin, eston emerges into the daylight with a dreamy lp.

perth native turned melbourne local roza terenzi is one of australias exciting new electronic artists. her debut for voyage delivers a three-piece suite of experimental, rhythmic workouts forward thinking with a heavy lean on early rave nostalgia. the ep is rounded off with a fast-paced remix of the title track from vancouvers d. tiffany.

following the adelaide electro sounds of furious franks magic mountain ep, ken oath returns with an eye-opening survey of modern ambient music along australias coast. breathing space is the intermingling of organic and synthetic textures lyrical birdsong and field recordings that evoke the immense natural beauty of australia alongside blissful pads and synthesizers that echo the calming waves from lazy days spent by the beach. with contributions from ken oath alumni donalds house and angophoras max santilli alongside 9 other hand-picked australian artists, these meditations on antipod

kuzich (perth, aus) ist kein unbekannter war er doch bereits als schlagzeuger für acts wie tame impala, ta-ku, drapt, the growl und cameron avery auf tournee. mit kuzichs erster offizieller veröffentlichung bekommt man einen eindruck von seiner vielseitigkeit. zwischen den touren erkundete er oft verschiedene ecken der erde, die ihn mit verschiedenen persönlichkeiten zusammenbrachte und antrieb soulige, eklektische musik zu kreieren. die ep erscheint auf 823 records, einem neuen label vom renommierten produzenten ta-ku, das in kooperation mit jakarta records betrieben wird. die 12 -vinyl-version kommt mit einem visuellen zine - alle fotos werden exklusiv von kuzich mit seiner point & shoot kamera von ricoh gr1 aufgenommen. das coverbild wurde auch von kuzich in mt rinjani, indonesien aufgenommen.

lucky number seven for good company records is the o.g.ep, roza terenzi s cheekily-titled debut. three tracks of doof-approved club gear from the perth-born melbourne resident, plus a bonus sunday-morning-coming-up megamix from vancouver s jayda g. with a sound like windham hill gone hardcore, this record promises fans from black rock to berlin. after the driving, new age electro of opener the right zone, terenzi declares yeh yeh yeh with a bush-bashing jeep of a bassline, blasting roxanne shante as the posse pile out of the whip & into the function. later, higher place sparks the chalice for a pre-dawn dip into the spirit realm. sometime after that, designated driver (and freakout cult-leader) jayda g takes the wheel, pulling into the church car park with her deep in your soul remix, a piano house kick-on of all three roza terenzi originals. feels good, right?

perth, capital of western australia, sits where the swan river meets the southwest coast. sandy beaches line its suburbs giving purpose to hot summer days, but after sundown, the city is where its at, if you know where to look. its possible that this double-life is what inspired the deep, melodic, futuristic sounds of one of australia s most mysterious electronic dance music labels of the 90s - red ember records.

eleased by butter sessions and noise in my head who are also known for their offshoot efficient space, sky girl is enriched with artwork from perks and mini mutant misha hollenbach and appropriately elegant sleeve notes courtesy of ivan smagghe. australian import 2lp, released by butter sessions and noise in my head who are also known for their offshoot efficient space (sky girl, etc) - all exclusive tracks! scratching the surface of australia’s independent electronic massive, butter sessions and noise in my head finally compile the second volume of domestic documents. featuring all exclusive tracks, perth godfather ewan jansen joins new wa blood phil stroud and senate, respectively making hectic percussion tracks and hell bent techno, as newcastle transplant roman nails emerges with his squelching one take tape experiments. meanwhile in melbourne, fia fiell’s ambient mind maze and butter sessions alumni booshank target the cerebral cortex, hotrod goes full turbo and live/dj wingmen miris and norachi share the same side of their vinyl debuts (alongside the freakishly underrated colours of infinity aka kloke). kangaroo skull and cale sexton fly the flag for temporal cast, the latter on a calming club collab with sleep d. liner notes from ivan smagghe and artwork from misha hollenbach (perks and mini) features many rarities reissued for the first time ever

say what you wanna say, but you have to give strahil velchev this: the manÆs a powerhouse. recording and playing live under the kink alias, he went on to become one of finest purveyorÆs of funk in techno and house. what it is, by definition, ainÆt exactly clear. and that is the beauty of it. kinkÆs music is unifying in the best possible way. channeling the spirit and feeling of a time where it didnÆt really matter who the faces behind the music were, kink plays with the elements of genres and sub-genres as if the future of it all is still wide-open. at the same time it could be accused of retro-fetishism, as much as the pope himself is infallible. the pure need to recreate moments, feelings and experience - rather than carbon copies of existing designs - was what started kinkÆs production work. hailing from bulgaria, it was nearly impossible to get your hands on all the records and music that fed into a system of raves, clubs and record shops that seemed far away from sofia, and financially it might as well have meant another galaxy. wanting to dj without having access to the tracks that spun the carousel meant that you had to create them yourselves. so, here we go with a private bootlegger gone public mastermind and one of the loudest voices in house, techno and beyond. from kinkÆs early productions with neville watson to his smash-hit for ovum, a cerebral album for macro, tons of remixes & tracks and his mind-bending live act, playground seems to take all that into a blender. simultaneously a sound-summary, the harvest of a field of ideas, and the exhibition of an artist in his prime, it also works as a sort of kink dictionary: avant-garde soundscapes stand next to boisterous bangers, classic club tracks and peak time emotions

limited 40th anniversary picture vinyl release.

ewan jansen joins the butter sessions crew with five unique tracks spanning deep house cuts to electronic jazz, recorded in perth, australia between 2002 and 2016. on the a side, ewan offers up two memorable and moody gems credo and harbinger that are just as effective on the dance floor as they are in your lounge room! the b side sees something more obscure brewing, kicked off by blueprint a balearic compu-funked tune that makes you wish it lasted for hours, followed up by the timeless piece of jazz infused ambience on the beach . the tail end of the ep leaves us with erewhon an oddball jazz tinged house jam of incomparable qualities!

the 2nd release from i walked by night comes firing out of the southside of glasgow. a young man by the name of the burrell connection has been flying under the radar for a few years now... a perth native / glasgow immigrant has been making music since he was 15, his first release came via west end communications (003) in 2015. since then he has released most recently with craigie knowes on the amazing 2nd annual war child fundraiser along with legowelt, shanti celeste, neville watson and many more. southside was made with a juno 6, yamaha dx21, roland tr8, korg minilogue and twisting samples and recording most tracks in one take with little post editing. this ep oozes raw energy and shows off a delicate deft touch. after debuting at the warehouse project in 2016, the burrell connection will be producing his first live show in 2017.

dj raw sugar is a native of berlin, but has done a 6 year stint in new zealand and now resides in perth. his productions are deep and raw house beats mixed with jazz, boogie, disco, funk and soul. over the years he has put out music via other people s labels like gazeebo international, midnight riot and ism, but is now taking matters into his own hands via love sexy records - a label he has just started. the debut release kicks off with a piece from the man himself! it s a sweet and sultry slice of disco. inkswel, also australian based, takes up remix duty taking the track in a more club-ready direction. slow goodness all over!

ponds ungezügelte kreativität hat die band bereits in der vergangenheit die weiten des psychedelic-rocks ergründen lassen. mit dem neuen album -the weather- haben sie nun eine scharfe und fokussierte platte geschaffen, eine atemberaubende absichtserklärung, die über marathon artists (courtney barnett, jagwar ma) erscheinen wird. -the weather- bündelt einige der poppigsten momente des quartetts aus perth, welches mit der gewohnten neigung zum abstrakten und zur experimentierfreude auftritt. mit dem köstlichen duft der romantischen erwartung und der synthie-raffinesse nimmt sich der song des patentierten space-rocks der band an und suggeriert ein gefühl, als wäre er aus einer trevor horn blaupause entsprungen. wie der vorgänger wurde auch -the weather- von kevin parker (tame impala) in dessen studio in perth produziert. doch während -man, it feels like space again- einen rohen blick auf die garage-infizierte psyche ponds warf, ist -the weather- eine ehrgeizige, technicolore odyssee in der entwicklung der band.
die vinyl-lp erscheint inklusive downloadcode.

fresh from perth s most prolific percussion den, we re proud to introduce gcr006: the keenly-awaited debut lp from local rhythm magician phil stroud. presented in an absorbing listening arc and captured with crystal clarity, this self-titled slow burner is an artful and meditative journey, filled out with straight up danceable joy. in just over an hour, stroud leads a pilgrimage through intricate landscapes of percussive beauty. there s the restrained, hypnotic approach of ritual and tribe in amongst organic house workouts with rich orchestrations. nimble vocal motifs and shimmering flutes ride the hefty grooves of the birds, scintillating and outside as field recordings surprise and delight. fix a glass of punch in time for the smooth, melodic neo-exotica of flow. and as the physical plane fades away, lose yourself in the shimmering ambience of middle east, a mellow final act recalling the more mystic moods of alice coltrane.

perth, capital of western australia, sits where the swan river meets the southwest coast. sandy beaches line its suburbs giving purpose to hot summer days, but after sundown, the city is where its at if you know where to look. its possible that this double-life is what inspired the deep, melodic, futuristic sounds of one of australia s most mysterious electronic dance music labels of the 90s - red ember records.

melbourne acid techno artist lou karsh is back with a second 12” on his imprint lkr records. the “tribal transition ep” features three original tracks and one intense and energetic reconstruction by perth artist consulate. combining chopped breaks and trademark acid with a fresh nod to the deep, raw, heavy and fast, lkr002 conjures images of thunderous raves of times gone by.

cosi002 further documents an emerging, ex-germanic theory of perth dance music, typified by tracks built on techno’s stern compositional logic, but poly-functional and cross-disciplinary, wearing the stripes given to them by this most nonpareil of electronic music ecosystems.
the ep has both dance floor heft and mood-focused flexes. “the hunt” is a solarised, laser-sharpened and hi-hat driven garage/big room hybrid. 8-minute “m is for audio” is a workhorse techno slow burner with all the red-eyed melancholy of greats like “acid eiffel” and “deep burnt”, acid burnt and stinging at the mid-range. conversely, “rube” abounds with percussive warmth and ear-dancing patterns, as does “freshness and convenience”, a bastard union of dusty breaks and a hard funk bassline. the ep ends with ambient cyber walkabout “freetown”, peripatetic, matte-toned and pulsing with vital signs.

a split, double a side ep from arnaldo & monoak for your listening pleasures.

nearly 20 years ago, a little label started by releasing a handful of lathes containing stories of life in a sleepy city called perth in western australia. inspired by the ocean and the river during long hot summers, red ember’s humble pursuit is deep expression via the practice of analog synthesis. ewan jansen resurfaces to take the helm again on the 3rd vinyl release… an aquatic house music tale that is equally lost at sea as it is freely swimming in the ocean.

after a short break adelaide soundworks returns with an exciting new release from perth based artist ewan jansen. following up from successful releases on going good and chez damier’s inner balance imprint this past year ewan is back with the ‘dispersion ep’ featuring 6 new beats from the present and days gone past.

the first release on the perth imprint cosi cosi, basic mind’s “grotto” catalyses some of the great innovations of both continental and atlantic analogue techno, 80s formalism, late drexciyan funk, darkroom acid, and indeed is one of australia’s purest sources of that ultra-orthodox, hardware-based sound.

direct from the deepest corner of the southern hemisphere, a.k.a. perth, western australia, good company records is a new outlet for the music of our west coast underground , born out of four years of parties and a newly-opened specialist record store of the same name. release number zero-zero-two comes from north perth riddim doctor phil stroud, two extended instrumentals offered generously across two sides of the same 12- black plastic disk, equally suited to solo meditation or dance floor evocation! side a is drum workout the forest , sounding in the mix or on the breeze not unlike a mid-summer, mid-noughties villalobos set echoing through a european wood. side b is the beachside dawn of yemaja , a glistening ode to the goddess of the same name that features the dewy key-tones of yazist vaapa s jack doepel. limited quantities

mysterious london techno imprint pacific command send out a hair-raising battle-cry to inaugurate the label, with young production outfit senate debuting for 001. using pummelling berghain-techno as the base-plate, the perth duo set about twisting this into ever more contorted incarnations.

direct from the deepest corner of the southern hemisphere, a.k.a. perth, western australia, good company records is a new outlet for the music of our west coast underground , born out of four years of parties and a newly-opened specialist record store of the same name. for gcr001, we have worked with local fishing outfitter hugo gerani to offer a grab bag of quality night-time tackle sure to land you the big one! from the deep jacking about face to the vip deep sea dub of his classic baited drum lines through to luminescent throbber freeze action (desire) , there s something for every condition and skill level. born on the aegean sea but now calling the the indian ocean home, in retirement mr hugo gerani supplies local jocks with the very best gear money can t buy - most handmade in his modest atelier - but with this record his products are finally available to discerning deejays worldwide!

the faceless pdl aka perth drug legend offers up a dark and murky 12 thats sure to rattle your bass bins. shaky drum patterns and haunting vocal cuts sprinkled throughout. limited 300 hand-stamped and numbered.

dj raw sugar is a native of berlin, but has done a 6 year stint in new zealand and now resides in perth. his productions are deep and raw house beats mixed with jazz, boogie, disco, funk and soul. over the years he has put out music via other peoples labels like gazeebo international, midnight riot and ism, but is now taking matters into his own hands via love sexy records - a label he has just started. the debut release kicks off with a piece from the man himself! it s a sweet and sultry slice of disco. inkswel, also australian based, takes up remix duty taking the track in a more club-ready direction. slow goodness all over!

circling sydney as the most prodigious producers in their adopted home, tuff sherm (perth-born eugene hector / dro carey) and cassius select (canadas lavurn lee / guerre) guise-up for a split 12 that follows dros seven-date debut european tour, and cassius breakout one ep on gardlands hunter gatherer imprint. returning home after a string of releases via merok, ramp, opal tapes and the trilogy tapes, tuff sherm shifts the counter balanced brilliance of dro carey with beast numeral - a six minute succession of classic house jaunts.

nice price deal !!! hailing from perth, australia, this talented and prolific producer is no stranger to the music scene. following his first taste of an akai sampler to drop film samples on the intros of songs in his metal band, the dirty whittler, rregula eventually found himself drawn into the world of drum and bass and formed one half of bad robot in 2003, a monster collaboration with future technique and viper superstar, phetsta. with a number of releases on subsonik sound, black sun empire, and drumsound & bassline smiths popular technique recordings as bad robot, followed by solo projects on vampire records, dsci4, citrus recordings, icarus audio, climate recordings, and too many others to name, rregula has been scaling new heights with his output in the past year. having just released an album project in 2011 on trust in music entitled echoes from the future with dementia and collaborations from the likes of smooth, trei and optiv, one might think of calling it a year.. rregula is not one of those people. now set to unleash his highly anticipated debut lp on climate recordings, rregula presents: the barramundi experiment.an album extraordinaire, with over 30 tunes of deep and dirty rolling drum and bass, halftime and drumstep. the vinyl ep features 4 groundbreaking tracks of the album. the a-side holds 2 superb drum n bass tracks for the dancefloor, while on the flip you will find 2 massive bass tracks that will do equal damage on the dancefloor! the vinyl ep also includes the full doublepack cd in the sleeve!

limited to 100 copies! future classic have teamed up with le coq sportif for a series of covers by new australian artists of classic french songs.they are available on as super limited 7 inch vinyl records. the a side is a cover by mitzi of a super rare disco classic voyage voyage by zig zag. the aa side is by perth band scenic, covering classic french artist air. only 100 available so get in quickly!

hailing from perth, australia, this talented and prolific producer is no stranger to the music scene. following his first taste of an akai sampler to drop film samples on the intros of songs in his metal band, the dirty whittler, rregula eventually found himself drawn into the world of drum and bass and formed one half of bad robot in 2003, a monster collaboration with future technique and viper superstar, phetsta.

future classics newest addition is four-piece scenic from perth, australia - home of tame impala, canyons and a wealth of young musical talent. scenic create enchanting dance music rooted in pop. theirs is an abstract journey of drifting, floating, dreaming, falling in love. they were quickly spotted by the godfather of french electro joakim who released their first single this cant be on his tigersushi label out of paris. scenics first ep for future classic features two blissed out songs another sky and endless days and a floor-friendly remix by the magician, whos remix for lykke li and peter and the magician ep with yuksek made us smile.